Drum & bass feedback from DnB producers and DJs
Updated
Upload your drum & bass or jungle track and get a structured review from a vetted DnB producer or DJ. Notes cover drum programming, bass design, the drop and mixdown loudness, with timestamps, checked by quality control before delivery.
What do reviewers listen for in a drum & bass track?
- Drums. Snare weight, break processing and groove at 170 to 175 BPM.
- Bass design. Reese movement, mid-bass character and a sub that stays clean in mono.
- The drop. Contrast with the intro and whether the first drop earns its energy.
- Loudness. Competitive level without crushing the drums.
What are the most common problems in drum & bass tracks?
- Snares that lose punch once the bass comes in.
- Mid-bass and sub fighting, so the low end sounds smaller on big systems.
- Intros that are not mixable for DJs.
- Limiting so hard that the transients disappear.
Drum & bass reviewers on Tracklounge
Every reviewer is hand-picked and verified with a sample review.
Joakim HellgrenProducer · DJJoakim Hellgren is a Swedish musician, DJ, guitarist and sound designer who has been active since 2010.
He made his name in the early lo-fi house scene, with releases that have been played by major DJs around the world.
As a sound designer he has created presets for Native Instruments, one of the most established names in music software.
He is also a producer for Undrgrnd Sounds, where his samples are used by producers across house, techno and beyond.- SCHOOL OF HARD KNOCKSProducerHipHop Oldschool Producer. Sampling, Beatmaking, creating original beats. Style HipHop, Boom bap, 80s, 90s, Soul, R&b, Jazzy. Nikab2000@gmail.com
George CrossProducer · DJGeorge Sprackling, aka George Cross, is a techno, electro and dub house producer based on the south coast of England and has also been DJing since the late 90s.
Having released on legendary labels like Urban kickz, Saki, Motech and Diffuse Reality Records, George has remixed for the likes of Kareem Smith. and Samuel sessions.
He has been using Reason since 3 and Ableton since 7, dabbling in Bitwig and Reaper.
Icons of the scene such as Ben Sims, Dave Clarke, Dvs1 and Ken Ishii have all championed his sound.
He's all about keeping the question instresting with movement and texture. A lover of sub bass who has branched out into producing drum and bass in a techno mix way.
Passionate about helping others achieve their musical goals, he's given feedback for Finish More Music and Discord's The Vault.
Influences include Jeff Mills, Black Dog, Red Shape, Claro Intelecto, Speedy J, Mattias Fridell, Ronny Pries, Steve Stoll, Carl Craig, Derrick May, Steve Rachmad, Kenny Larkin, Klute, Basic Rhythm, Basic Channel.
He describes his approach as less is always more, and limitation is the key to creativity!
How does drum & bass feedback on Tracklounge work?
- Upload your track and pick what you want feedback on: mixdown, low end, arrangement, vocals, genre fit or release readiness.
- Say what you are willing to pay. We suggest a range that gives you a good chance of matching. There is no subscription and no charge until you accept a reviewer.
- Choose your reviewer from the drum & bass producers and DJs who apply.
- Get a structured review with timestamped notes, checked by quality control before it reaches you. Typical turnaround is one to three days, or 24 hours with rush delivery.
Get feedback from drum & bass producers.
Upload a track, set what you are willing to pay, and choose your reviewer.
Frequently asked questions
drum & bass feedback
You decide. For each track you say what you are willing to pay, and Tracklounge suggests a range that maximises your chances of matching with a reviewer. There is no charge until you accept a reviewer.
Every review passes quality control before it reaches you. If a review is overdue, you get your money back.
Uploads are private and only shared with your reviewer. Reviewers are under NDA, and we never train AI models on your music.